‘I Saw What You Did’ (1965): An utterly bizarre, eccentric thriller
Director William Castle’s bizarre, schizophrenic children’s nightmare, damn near perfectly realized.
Tag: Shout! Factory
‘The Terminal Man’ (1974): Bleak foreshadowing of today’s cold, tech-obsessed world
Cold, impersonal, distant Frankenstein re-imagining―and a fairly perverse jab at its horror/suspense genre conventions.
‘They Live’ (1988): Pro wrestler is John Carpenter’s muse in politically-tinged thriller
“I have come here to chew bubblegum and kick ass. And I’m all out of bubblegum.”
‘Billy Jack’ (1971): Long, talky, action-sparse – a mixed-signals ‘message’ exploiter
“Watch his feet, man. He can kill you with his feet.”
‘The Born Losers’ (1967): Beatings, bikers & babes – forget the social commentary
“I just go berserk!” WHOMP!
‘The Night Walker’ (1964): Well-crafted, gauzy, ethereal suspense
More 1960s vintage horror from William Castle.
‘Carrie’ (1976): A classic go-to for Halloween season
A spiffed-up, bonus-heavy collector’s edition of the Stephen King horror classic.
‘Rollercoaster’ (1977): TV movie-style disaster film rumbles through…in Sensurround!
1977’s Rollercoaster is a first-rate TV suspenser, blasted onto the big screen via Sensurround.
‘Millennium’ (1989): Marginal Canadian sci-fi exploiter
The grade Z drive-in double feature no one has been asking for!
‘The Seduction’ (1982): Morgan Fairchild ‘Alone, Terrified, Trapped like an Animal’!
Early 80s hot house tramp Morgan Fairchild naked? Automatic “recommend” for The Seduction.
