‘Branded’ (1950): A neglected gem of ’50s Westerns
“You got any friends?”“My guns.”“Kinfolk?”“My horse.”
“You got any friends?”“My guns.”“Kinfolk?”“My horse.”
In my very few moments of sobriety, when the background fuzz partly clears and gives way to bits and pieces of actual audio/visual information that land, one of the constant drones I encounter lately is that I’m no longer living in a democracy (which is curious…since we’ve always been a constitutional republic), but rather a… Read More ‘Hitler’s Madman’ & ‘Hitler’s Children’ (1943): Der Fuhrer doubleheader
Oh okay so now, supposedly, we’re in big trouble, not only politically but economically? But four years of a shadow government no one elected…and not a peep from the corrupt media that was helping to hide it? Got it.
Reduced, these past few weeks, to basically laying flat on my back (they took out 37 feet of my guts—I’m basically a soda fountain now), there hasn’t been much I can do but watch TV and movies. And certainly patterns of comfort TV-watching manifested themselves fairly quickly, including hours and hours of 70s TV (Emergency!,… Read More ‘A Stranger in Town’ (1968): Entertaining spaghetti Western kicks off successful trilogy
Lassie Come Home…So You Can Rip My Face Off!
Grotesque enough at times for a few laughs…but woefully f*cked up.
A must-have primer for every would-be romantic kidnapper out there…although the only way Sweet Hostage would be remade today is if Bradley Cooper kidnapped Dylan Mulvaney.
Sedate, languid early ’80s horror…and far better than its unearned poor reputation.
We’ve had a week of dark, cool, rainy fall weather here in the Great American Midwest, a seasonal siren call that compels me, on an irresistible genetic level, to watch a few dark, cool, rainy 60s British movies. Add in the Halloween spirit that gets an early start around these parts (quite simply: the Midwest… Read More ‘The Sorcerers’ (1967): Grungy sci-fi/horror exploiter has a unique, unexpected tone
Far out, birdbrain.